I actually taught perceptual psychology at N.Y.U. when I was younger. I was interested in the aesthetic impulse in lower primates. But what really interested me in Dian Fossey was that she made a difference - she saved the gorillas. Arne Glimcher aestheticdiandifference share on social
There is more to representing art than selling art. The life of the gallery is dependent on the renewal and refreshment of its artists and dealers. When that stops happening, it's the end. Arne Glimcher artartistdealer Change image and share on social
In the early 1990s we witnessed the emergence of a revitalized contemporary Chinese art world that began as a reaction against the government-approved Social Realist style. Zhang Xiaogang, Huang Yong Ping, Ai WeiWei, Yue Minjun, and Wang Guangyi were among the first group of artists to establish a movement that became known as Cynical Realism. Arne Glimcher 1990sapproveart share on social
Art is not an investment. Art is something you buy because you are financially solvent enough to give yourself a pleasure of living with great works rather than having to just see them in museums. People who are buying art at the top of the market as an investment are foolish. Arne Glimcher artbuyfinancially share on social
Art is a tool by which society extends its perception. Arne Glimcher artextendperception Change image and share on social
Fairs are beneath the dignity of art. To stand there in a booth and hawk your wares - it is just not how you sell art. Arne Glimcher artbeneathbooth Change image and share on social
When Nixon opened the door to China in the early 1970s, Chinese artists got their first view of the West. Suddenly five centuries of Western art lay before them as a stylistic smorgasbord. Chinese artists could reinterpret it out of admiration or try to replace it. They choose the former. Arne Glimcher 1970sadmirationart share on social
Some prescient American collectors, including Vicki and Kent Logan and Mera and Donald Rubell, began collecting Chinese art before 2000 with a genuine passion, but as the auction prices exploded everyone was beating a path to the galleries and artist studios in China. It became the 'China thing.' Arne Glimcher americanartartist share on social
The '80s market was only a Japanese market. It was the Japanese outbidding each other for the most expensive works of art. When the Japanese economy went down the tubes, there was no one left to pay the prices that have been recorded for all of those works. Arne Glimcher 80sarteconomy share on social