One of the great currents in the contemporary experience of art is that it seems to come out of the experience of the author. Anish Kapoor artauthorcontemporary Change image and share on social
I've always felt that if one was going to take seriously this vocation as an artist, you have to get beyond that decorative facade. Anish Kapoor artistdecorativefacade Change image and share on social
One does not set out with the idea that I've just had a great idea and now I'm going to go and carry it out. Almost all art that's made like that doesn't go anywhere. Anish Kapoor artcarrygreat Change image and share on social
Work grows out of other work, and there are very few eureka moments. Anish Kapoor eurekagrowmoment Change image and share on social
It's precisely in those moments when I don't know what to do, boredom drives one to try a host of possibilities to either get somewhere or not get anywhere. Anish Kapoor boredomdrivehost Change image and share on social
One cannot set out to make a work that's spiritual. What is a contemporary iconography for the spiritual? Is it some fuzzy space? Anish Kapoor contemporaryfuzzyiconography Change image and share on social
That freedom that Picasso afforded himself, to be an artist in a huge number of ways, seems to be a huge psychological liberation. Anish Kapoor affordartistfreedom Change image and share on social
The eye is a very quick instrument, much quicker than the ear. The eye gets it immediately. Anish Kapoor eareyeimmediately Change image and share on social
What one does in the studio is to pose a series of problems to oneself. I've got to look for some deeper meaning, for some reason for this thing to be in the world. There's enough stuff in the world. Anish Kapoor deephavemean Change image and share on social