If you stretch tragedy, it will always become comedy. Alejandro Gonzalez Inarritu comedystretchtragedy Change image and share on social
It's hard for me to work for somebody else. I can work with someone, but not for someone. Alejandro Gonzalez Inarritu hardwork Change image and share on social
That incredible bubble and high expectations built at festivals can work against a film. Alejandro Gonzalez Inarritu bubblebuildexpectation Change image and share on social
People talk about the pain of defeat, but I think defeat has a lot of value. I think the wound of victory can be even more damaging than defeat. Very few people really know how to win. Alejandro Gonzalez Inarritu damagedefeatlot Change image and share on social
Many Mexican directors are scared to shoot in Mexico City, which is why there are many stories in Mexican cinema about little rural towns, or set a hundred years ago. Alejandro Gonzalez Inarritu agocinemacity Change image and share on social
Fear of the unknown is a great creative partner. Alejandro Gonzalez Inarritu creativefeargreat Change image and share on social
When you live in a city, as I do, where violence is really in the streets, and people die every day, there's nothing funny about it. Alejandro Gonzalez Inarritu citydaydie Change image and share on social
Innocence can be more powerful than experience. Alejandro Gonzalez Inarritu experienceinnocencepowerful Change image and share on social
'Babel' is about the point of view of others. It literally includes points of views as experienced from the other side. It is not about a hero. It is not about only one country. It is a prism that allows us to see the same reality from different angles. Alejandro Gonzalez Inarritu anglebabelcountry share on social
I like to make films, but the only reason I do is because I'm a very bad musician. Alejandro Gonzalez Inarritu badfilmmake Change image and share on social
