The 1930s was a funny time. People knew they might not live for another six months, so if they were attracted to one another, there was no time to dawdle. Alan Furst 1930sattractdawdle Change image and share on social
Once you have your characters, they tell you what to write, you don't tell them. Alan Furst characterwrite Change image and share on social
Women take great care of themselves in France. It's a culture dedicated to making women beautiful and to manners. Alan Furst beautifulcareculture Change image and share on social
Robert Ludlum, all of them, write the absolute best they can. You can't tone it down. You just do what you do, and if it comes out literary, so be it. Alan Furst absoluteliteraryludlum Change image and share on social
I love the gray areas, but I like the gray areas as considered by bright, educated, courageous people. Alan Furst areabrightconsider Change image and share on social
Le Carre's voice - patrician, cold, brilliant and amused - was perfect for the wilderness-of-mirrors undertow of the Cold War, and George Smiley is the all-time harassed bureaucrat of spy fiction. Alan Furst amusebrilliantbureaucrat Change image and share on social
What you get in the Cold War is 'the wilderness of mirrors' where you have to figure out what's good and what's evil. That's good for John le Carre, but not me. Alan Furst carrecoldevil Change image and share on social
I started out when I was 29 - too young to write novels. I was broke. I was on unemployment insurance. I was supposed to be writing a Ph.D. dissertation, so I had a typewriter and a lot of paper. Alan Furst breakdissertationinsurance Change image and share on social
I write what I call 'novels of consolation' for people who are bright and sophisticated. Alan Furst brightcallconsolation Change image and share on social