I would still describe China as a vast, invigorating puzzle that will never make sense to my western upbringing. Abigail Washburn chinadescribeinvigorate Change image and share on social
I had no intention of becoming a performer, and yet under miraculous circumstances I was brought into the music industry fold. If divine powers hadn't intervened, I'd still be living in China working in some area of Sino-American comparative law. Abigail Washburn americanareabring share on social
Martin Luther King's 'I Have a Dream' speech always sends me down some path, some trajectory of some creative idea. Abigail Washburn creativedreamidea Change image and share on social
I sang in a reggae band. And then there was a soul band where I sang back-up vocals and some lead. And I was also in a women's a capella group. And I was in the gospel choir at school. Actually, I've always been in choirs. Or some kind of group. Just because I love singing so much. But I truthfully never thought of it as a career. Abigail Washburn backbandcapella share on social
I played piano and was always in the choir. I tried to play flute because all the pretty girls played flute. Abigail Washburn choirflutegirl Change image and share on social
I reside in a new colony for the Chinese-singing banjo player, with a population of one. At least I have something I have to do with my life. Abigail Washburn banjochinesecolony Change image and share on social
I believe in the old, because it shows us where we come from - where our souls have risen from. And I believe in the new, because it gives us the opportunity to create who we are becoming. Abigail Washburn createopportunityrise Change image and share on social
I'm, I guess you could say, the Chinese-speaking, banjo-picking girl. Abigail Washburn banjochinesegirl Change image and share on social
For most Americans, my Chinese music feels like a novelty, and it's not what it is for me. Abigail Washburn americanchinesefelt Change image and share on social
I'm no ethnomusicologist. There is a connection between the five-note scale used both in traditional Chinese music and the blues, but I don't really understand it. All I know is, whenever I play with Chinese musicians, we seem to belong to the same musical gene pool. Abigail Washburn belongbluechinese share on social