Pontus Hulten

Tinguely wasn't the first artist to work with machines. But others were more interested in precision, in what machines are meant to do. What made him different was the random element. He introduced the mechanical accident. He was always interested in the immaterial, in sound, smoke, speed, light, shadows.

I think that there's something extremely beautiful about the Olympic ideal and its motto - 'Swifter, higher, stronger' - it's such a beautiful motto, and it celebrates everything which is the antithesis of death and dissolution and entropy.

What I look for when I see a piece of art for the first time is some kind of emotional, intellectual experience, that's a combination of both of those things and is informed by my knowledge and something new that I see the artist doing.