Ben Brantley

I write the occasional entry for the 'Times' Theatre blog, especially when I'm in London and seeing two shows a day, but I don't tweet. I don't want to have to express my opinion in 140 characters. That's like writing haiku. You need a certain amount of legroom to review a play properly.

The cliche was always that 'everybody's a critic,' but it becomes truer every day. Long before reviews appear in the traditional outlets, you can now usually discover - somewhere in the thickets of the Internet - reactions to shows from people who've seen them in previews.

We exist in this weirdly schizo culture, where sex is everywhere in the media, and yet, at the same time, you don't sit down and have a conversation about what you did in bed last night with your friends. Despite the ubiquity of sex, it's still a taboo when it comes to day-to-day conversation.

Working with franchises can be challenging, but at the same time I really did enjoy working on 'Star Wars,' for example, and I have done a lot of 'Dungeons & Dragons' games, but I still enjoy it very much.