I derive no pleasure from prosecuting a man, even though I know he's guilty; do you think I could sleep at night or look at myself in the mirror in the morning if I hounded an innocent man?
‐‐ Jim Garrison
I descend from both Philadelphia Quakers and Carolina colonists whose families were separated by the Revolutionary War. That helped give me insight into the agony of Patriots who, until the British government denied their claims, had always, like Ben Franklin himself, thought of themselves as free-born Englishmen.
‐‐ Edward Rutherfurd
I describe a soulmate as a 'soul-nurturing mate' - someone who nurtures your soul - thereby promoting insight and growth.
‐‐ Karen Salmansohn
I describe in 'Chimpanzee Politics' how the alpha male needs broad support to reach the top spot. He needs some close allies and he needs many group members to be on his side.
‐‐ Frans de Waal
I describe Jeb Bush as a 'low-energy' individual, and unfortunately for him, that stuck. And it's true: he's a low-energy person. That doesn't make him a bad person.
‐‐ Donald Trump
I describe management as arts, crafts and science. It is a practice that draws on arts, craft and science and there is a lot of craft - meaning experience - there is a certain amount of craft meaning insight, creativity and vision, and there is the use of science, technique or analysis.
‐‐ Henry Mintzberg
I describe my personal style as 'mythic space horse with chocolate box tendencies.'
‐‐ Gwendoline Christie
I describe my plots as follows; A character is walking down the street when all of a sudden a piano falls on them. They spend the rest of the story digging out from under that piano. How they dig, how long and how well, this all depends entirely on the character.
‐‐ Sarah Zettel
I describe my works as books, but my publishers in Spain, in the United States, and elsewhere insist on calling them novels.
‐‐ Guillermo Cabrera Infante
I describe myself as a big kid with an old soul, I'm very playful whimsical, but I definitely have that old soul as well.
‐‐ Jidenna
I describe myself as a human being.
‐‐ Jimmy Kimmel
I describe myself as a simple Buddhist monk. No more, no less.
‐‐ Dalai Lama
I describe myself as an environmentalist not because I'm marching in the street with placards but because I like to be in the woods by myself.
‐‐ T. C. Boyle
I describe myself as someone who was always putting on a show, even when I was a little girl. I wanted to be an actress but I liked organizing everybody and putting on plays. I was a producer.
‐‐ Laura Ziskin
I describe not men, but manners; not an individual, but a species.
‐‐ Henry Fielding
I describe the design process as like the tip of the iceberg. What you don't see is the long haul: all the endless auditing and things like that.
‐‐ Norman Foster
I describe the relationship between man and woman as a Hegelian relationship between master and slave. As long as men are able to increase their sexual value through work, fame or wealth, while women are only powerful through their body, beauty and youth, nothing will change.
‐‐ Elfriede Jelinek
I described the CEO job as knowing what to do and getting the company to do what you want. Designing a proper company culture will help you get your company to do what you want in certain important areas for a very long time.
‐‐ Ben Horowitz
I deserve all the love you can spare me. And I want a lot more than I deserve.
‐‐ Dashiell Hammett
I deserve respect for the things I did not do.
‐‐ Dan Quayle
I design a lot of things that I wear onstage, but I'm always looking for unique stuff. I like creative things, so anything I can find at a secondhand costume shop to a Helmut Lang store, it doesn't matter - just unique stuff.
‐‐ Amy Lee
I design all my sets. With my tour and my album artwork, I co-design that with people who are better at drawing than me. But I've got a good imagination. I went to art school so I understand how to communicate my ideas.
‐‐ Paloma Faith
I design all of my costumes. I like to go out there and feel like I have contributed to every part of what I do. I choose the music, the choreographer, I've obviously chosen my coach, my costumes - all if that falls under my realm of power, my realm of influence.
‐‐ Johnny Weir
I design all of the costumes for my movies, actually.
‐‐ Xavier Dolan
I design flats like I design heels: They must be seductive, beautiful and comfortable.
‐‐ Edgardo Osorio
I design for a feminine woman who appreciates art a lot, either as a profession or as a hobby.
‐‐ Christian Cota
I design for myself and the first question I ask is, 'Would I wear it?'
‐‐ Claudia Schiffer
I design for real people. I think of our customers all the time. There is no virtue whatsoever in creating clothing or accessories that are not practical.
‐‐ Giorgio Armani
I design for the movie and the character as well as the person wearing the costume. I show the ideas to the actor, then do fittings for shape and technical things such as movement in the costume. Once the costume in this form is on the actor, you have a sense of their connection with it. I then take it to the next level with the final fit.
‐‐ Colleen Atwood
I design for the use of a building and the place and for the people who use it... the reputation for arrogance comes because when work is offered to me, I look whether I can find a genuine interest in quality.
‐‐ Peter Zumthor
I design for the woman who loves being a woman.
‐‐ Diane von Furstenberg
I design for the working girl.
‐‐ Elsa Peretti
I design from instinct. It's the only way I know how to live. What feels good. What feels right. What is needed. Give me a problem and I will approach it creatively, from my gut.
‐‐ Donna Karan
I design my shots. I walk the rehearsal as the camera and say 'this is where I want to be... I want this look.
‐‐ Debbie Allen
I design my start-up ventures around my own personal beliefs and values.
‐‐ Cindy Gallop
I design some of my own clothes now.
‐‐ Kiernan Shipka
I design therefore I become.
‐‐ Jason Silva
I design things to help people to hopefully express their personality.
‐‐ Vivienne Westwood
I design to make women feel confident and beautiful.
‐‐ Tadashi Shoji
I designed a guitar for Ibanez and then they started manufacturing it - it's called the Jem - it's 26 years old and I still play it. As a kid I liked Les Pauls and Strats, but they had limitations for the kind of playing I wanted to do.
‐‐ Steve Vai
I designed a sports car, the Cizeta-Moroder, with Marcello Gandini from Lamborghini; he did the Countach, of course. The Cizeta cost $600,000, but we could bargain - if a Japanese businessman says he wants it for three, fine.
‐‐ Giorgio Moroder
I designed a tattoo for a girl once, and she got it, which I thought was pretty cool. We no longer speak. She'll always remember me, though - I can guarantee that.
‐‐ Matt Cohen
I designed all the characters, anyway, and Frank Doyle was doing all the writing. I didn't have any more input on what direction they were going to go with Josie.
‐‐ Dan DeCarlo
I designed and developed an unbelievable number of applications early in my life.
‐‐ Neal Patterson
I designed 'Buffy' to be an icon, to be an emotional experience, to be loved in a way that other shows can't be loved. Because it's about adolescence, which is the most important thing people go through in their development, becoming an adult.
‐‐ Joss Whedon
I designed collections around whatever struck my fancy... fruits, vegetables, politics, or peacocks! I entered in with no business sense.
‐‐ Lilly Pulitzer
I designed the miniskirt that caused so much havoc in the Sixties - the miniskirt that was such fun but has travelled well to today.
‐‐ Mary Quant
I desire a greatness of soul, an irradiance of mind, a deeper insight, a broader hope.
‐‐ Richard Jefferies
I desire an special interest in your prayers that my faith fail not in the day of adversity.
‐‐ John Hawley
I desire many things concerning myself; but I desire nothing so much, as to have a heart filled with love to the Lord. I long for a warm personal attachment to Him.
‐‐ George Muller